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Ruth Kaufman - Award-Winning Author and Romance Writer

Ruth Kaufman is the author of My Life as a Star, My Life as an Extra, My Once & Future Love, The Bride Tournament, Follow Your Heart, At His Command and other books.

Gifts that keep on giving

June 20, 2013 By Ruth Kaufman

Every career has its ups and downs, so sometimes we have to take the good with the bad.  When I embarked upon the life of a freelancer after 16 years in corporate America sales, marketing and training, I knew I was leaving behind more than four weeks of paid vacation and personal days, benefits, and a salary. I knew I’d need to rely even more on self-discipline.  I didn’t know what would surprise me the most–positively or negatively– about my new lifestyle.

The not as good:

1. Scheduling. 

a. Auditions can pop up at any time. If it’s on-camera, they’ll say, “Be at this casting agency at 1:05 on Tuesday.”  Only rarely can you ask for a different time.  Turnaround times for VO auditions seem to be getting shorter. 

b. It’s great to be put on first refusal or hold for a project, but I can’t really plan anything else for that day or days. And there’s no way of knowing when I’ll find out if I booked the job or have been released.          

c. More and more often the recording or shoot date is listed as TBD. 

2. Being a one-man-band.  I record and edit some jobs and submit most VO auditions from home.  So I had to learn more than I wanted to about audio engineering. Fortunately I have helpful, knowledgeable friends, and access to other home and actual studios, should the need arise. Sometimes I’ll record a big audition with a friend so I have another set of ears to hear if I’m meeting the audition specs.  More on-camera auditions now ask for self-submissions. Meaning I need someone to help with recording and to be my reader if it’s a scene or spot with dialogue. 

The great:

1. Rerecords.  I didn’t realize how many times clients would make changes to things I’ve recorded and need rerecord sessions. Sometimes there are only a few short paragraphs to record, but they have to pay for an hour of my time.  And I don’t have to audition.

2. Usage fees.  A job usually has a session fee plus usage, such as X dollars for Y months on the Internet.  When those Y months are up, if they want to keep using the recording, they have to pay again.

3. Lifts.  Sometimes I’ll do, say, a :30 spot.  Then they decide they also want to make it into a :15, so they “lift” some of the content.  And I get paid for that, though I don’t do any additional work.
 
May there be many more great surprises.

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